The twisted Soska Twins indie debut feature film: Dead Hooker in a Trunk, a gutsy homage to grindhouse exploitation, made seismic ripples throughout film festivals worldwide when it surfaced in 2009. Destined for cult status, it was a remarkably assured ballsy calling card for the twins, and their follow-up project, American Mary was hotly anticipated.
Medical student Mary (Katherine Isabelle), studies by day
and practices her suturing techniques on dead turkeys by night. Money problems
impinge on her studies and as she turns to alternative methods of financial
sponsorship she finds herself being drawn deeper and deeper into an underground
world of ‘body modification’ surgery.
This is a measured thought-provoking and at times
challenging film. It slices through the layers of perceived normality,
eviscerating so-called notions of ‘respectability’ and ultimately champions
self-expression over conformity. It’s also very funny, although its humour is
often of the blackest variety. Naturally, given its subject matter there are
scenes of surgical implementation, but these are not mere cheap thrills. They
are carefully staged, orchestrated by classical pieces of music (‘Ave Maria’
being used particularly memorably) and rather than play to the Grand Guignol
gallery they invite a sombreness which induces hushed silence rather than
nervous giggles or cheering whoops.
The eclectic soundtrack perfectly accompanies the film, each track or piece of music instantly conveys a scenes mood or intention, and the scope photography is striking and beautiful on its wide canvas.
Long live the new body modified flesh!
****(out of 5*)
Paul Worts