Horror, US, 2014, 93mins, Cert 18.
“A
man’s faith allows him to eat anything, but a man whose faith is weak eats only
vegetables.”
Reportedly
iconic scream queen Marilyn Burns’ last (and brief) film appearance before her
untimely death last year, it’s perhaps somewhat fitting that her last cinematic
outing is knee-deep in TEXAS CHAINSAW MASSACRE territory. Playing alongside her
as her husband is Ed Guinn (the cattle truck driver from the original TCM),
whilst the film itself is set in the middle of the Texas bible belt and
features teens being the main course on the barbecue. Unfortunately there are
no chainsaws in evidence, but the crazed townsfolk of ‘Middlespring’ seem to be
managing just fine without one!
Call
it a homage to TCM, but SACRAMENT (not to be confused with Ti West’s 2013 THE SACRAMENT),
does offer a few variations on its otherwise well-trodden tale of barbecued
butchery. Firstly, there’s the central gay relationship between the two male
leads which takes on a greater significance in a pivotal payoff later on. Then there’s the religious slant driving the cannibalistic community to commit
atrocities against all those unfortunate young ‘sinners’. And it does offer
Marilyn Burns a chance (albeit briefly) to taste what it’s like to be the
terroriser (and tenderiser) for once.
It’s
rough round the edges, the acting is (to be charitable) variable in quality,
and whilst it’s never dull it never manages to set the pulse racing or even
begin to notch the terror dial above ‘1’. It originally started out as a short, which is recreated in its entirety during the film
(with a different actor), and perhaps rather tellingly this remains the most
effective sequence throughout.
In
some ways it’s a DTV equivalent of Herschell Gordon Lewis’ drive-in gore feast
TWO THOUSAND MANIACS. But whilst it certainly offers Herschell-like portions of
blood and entrails, it’s ultimately more of a gruesome snack than a gourmet
blood feast.
**(out of 5*)
Paul
Worts
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