Directed
by Tom Six, Starring: Dieter Laser, Laurence R. Harvey, Bree Olsen, Eric
Roberts. Horror, US, 2015, 100mins, Cert 18.
Sadistic
prison warden Bill Boss (Dieter Laser) is in danger of being fired by state
Governor (Eric Roberts) on account of his prison having the highest personnel
turnover; violence rates; and legal and medical costs - of any other
institution in the US correctional system. Boss’ long-suffering accountant and
right hand man Dwight (Laurence R. Harvey) however has a cunning plan to help
cut costs. Inspired by the first two HUMAN CENTIPEDE films, Dwight proposes to
create one giant human centipede of the 500 inmates...
Tom
Six’s ‘FINAL SEQUENCE’ in his CENTIPEDE trilogy is a tamer effort in comparison
to its slaughterhouse aesthetic monochrome predecessor, but there’s still
plenty to offend the average ‘Daily Mail’ reader in this cartoonish satire on
US politics. For starters Six loads Bill Boss’ dialogue with a non-stop spewing
barrage of sexist, racist, homophobic diatribes. Played with artery bulging
ferocity by Dieter Laser (returning from the FIRST SEQUENCE where he played the
mad scientist and original creator of the centipede ‘Dr Heiter’), Boss’ rants
aren’t mere idle threats either. Amongst his methods of attempting to instil
discipline he employs water-boarding - with boiling hot water - on one prisoner
whilst castrating another before having his testicles cooked for dinner. (And
don’t ask what those African imported ‘sweets’ in that jar on his desk really
are either...)
Then, when he’s not abusing and maiming his inmates, Boss is abusing his secretary ‘Daisy’ (Bree Olsen) for his sexual gratification – in full-view of ineffectual ‘Dwight’ (Lawrence R Harvey - also returning after his brilliant portrayal of obsessive monster ‘Martin’ in FULL SEQUENCE). Dwight is in love with Daisy but he (like the rest of the prison staff) just can’t muster the courage to stand up to his evil tyrant of an employer – even when Daisy’s lying in a coma from being assaulted by an inmate.
Then, when he’s not abusing and maiming his inmates, Boss is abusing his secretary ‘Daisy’ (Bree Olsen) for his sexual gratification – in full-view of ineffectual ‘Dwight’ (Lawrence R Harvey - also returning after his brilliant portrayal of obsessive monster ‘Martin’ in FULL SEQUENCE). Dwight is in love with Daisy but he (like the rest of the prison staff) just can’t muster the courage to stand up to his evil tyrant of an employer – even when Daisy’s lying in a coma from being assaulted by an inmate.
As puerile
and ridiculously implausible as the material may be, there’s clearly method in
Tom Six’s madness (something which is either consciously overlooked or genuinely
missed altogether in amongst the copious amounts of onscreen filth and
degradation). To say the trilogy displays self-awareness is an understatement –
it’s a positive meta-construct. From the inverse scenario of Lawrence R
Harvey’s loner ‘Martin’ being inspired by THE HUMAN CENTIPEDE (FIRST SEQUENCE)
in the startlingly bleak brilliance of the sequel, right through to his
character in FINAL SEQUENCE making his boss watch both the previous films
before inviting the actual director into the prison as a technical adviser on
achieving their 500-strong prisoner centipede. (The alternate ending – an extra
on the disc – goes even further in completing the self-sustaining regurgitative
narrative).
Maybe
I should be worried, but despite all I’ve described above, I found THE HUMAN
CENTIPEDE III (FINAL SEQUENCE) riotously amusing – albeit in a sick kind of way.
Dieter Laser, resembling a 70’s exploitation version of ‘Lord Voldemort’ from
HARRY POTTER AND THE PHILOSOPHER’S STONE, is mesmerisingly over-the-top; whilst
Lawrence R. Harvey’s meekly mild moustachioed accountant is a perfect comedic
foil for mad bastard Boss (even with Harvey’s hilariously unconvincing American
accent).
Tom
Six’s CENTIPEDE trilogy is, I very much suspect, a lot like ‘Marmite’: you
either love it or you hate it. I HATE ‘Marmite’, but I seem to love the
CENTIPEDE trilogy.
****
(out of 5*)
Paul
Worts
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