Directors:
Ben Blaine, Chris Blaine, Starring: Fiona O’Shaughnessy, Abigail Hardingham,
Cian Barry. Horror/Drama. UK, 2015, 98mins, Cert 18.
There were
three in the bed and the dead one said: “roll over, roll over...”
Two’s
company, three’s a crowd funded (in part) British debut feature which tackles
the grieving process with copious amounts of blood-soaked bed linen.
Having
unsuccessfully attempted suicide following the tragic car crash death of his
girlfriend Nina, mathematician Rob (Cian Barry) is slumming it as a
shelf-stacker in a supermarket during the week, and spending his weekends seeking
emotional solace through visiting his ex’s grieving parents. Trainee paramedic
and fellow work colleague Holly (Abigail Hardingham) is drawn to Rob and they
soon hit it off. Unfortunately, no sooner do they start to make the beast with
two backs on Rob’s bed, than his deceased ex Nina (Fiona O’Shaughnessy) rises
bloodied and broken through the sheets presenting Rob with an unexpected morbid
ménage à trois.
Although the central conceit conjures up shades of HELLBOUND:
HELLRAISER II, whilst Julia’s celebratory
mattress resurrection was willingly instigated by Dr. Channard, here it is an
unwelcome manifestation of Rob’s inability to cope with the loss of Nina and
the guilt of attempting to move on. It’s a scenario previously well-used in
rom-coms, but directors Ben and Chris Blaine eschew cheap laughs and instead
make their bed bloodied and bruised, haunting and memorable.
The performances are right on the money; none
more so than Abigail Hardingham, outstanding as Holly, the trainee paramedic with
an extreme character arc. From being dumped for supposedly being ‘vanilla’, to literally
embracing the dilemma of competing with the bloody ghost of a dead-ex sharing
her boyfriend’s bed in a determinedly uninhibited way, Hardingham is the
central core around which the dead Nina and Rob messily intertwine. And a
special mention is warranted for Nina’s grieving parents, played by David Troughton
and Elizabeth Elvin, whose exhausting effort to suppress their pain finally
erupts in an emotional draining scene.
Despite the generous helpings of blood and
gore on display (Nina’s post-crash injuries are vividly rendered), this
bittersweet fable is not a calculated exploitationer, and the decidedly non-coy
sex scenes are refreshingly honest and serve to enhance character rather than
merely titillate.
A surprisingly assured first-feature then for
the Blaine boys. Having made their bed with NINA FOREVER it will be fascinating
to see where they will lie next.
****(out of 5*)
Paul Worts
This review
was first published on the FrightFest website.
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