Directed by: Bill Watterson, Starring: Meera Rohit Kumbhani, Nick Thune,
Adam Busch, James Urbaniak. Comedy Horror, US 2017, 81mins, Cert 15.
Charlie Kaufman meets Jim Henson courtesy of Doctor Who (except it would
be churlish to complain about the cardboard sets) in director/co-producer Bill
Watterson’s indie debut feature.
Returning from an out of town trip, Annie (Meera Rohit Kumbhani) opens
the apartment door to find that her frustrated artist boyfriend Dave (Nick
Thune) has constructed a cardboard fort in their living room – and he’s trapped
inside it. Boasting TARDIS-like dimensions, the fort contains an extensive
labyrinth maze of corridors laden with cardboard booby traps and a Minotaur.
Annie, together with Dave’s best buddy, gamer nerd Gordon (Adam Busch), and a
disparate collection of characters including a reality-TV film crew and a
couple of Flemish tourists, ignore Dave’s warnings and enter the maze in a
quest to rescue the architect.
Dave (Nick Thune) delivers a couple of half-hearted attempts to
rationalise what’s really going on here (a desire to actually complete
something for once?) but frankly neither this nor Watterson and co-writer
Steven Sears seem overly concerned to fully explain, if indeed they actually
know themselves, and it’s left up to individual viewer interpretation to
assemble anything remotely solid.
Meera Rohit Kumbhani displays an unfathomable degree of patience as
Dave’s long-suffering girlfriend Annie, whilst Adam Busch’s geeky Gordon gets
to wear a t-shirt boasting an increasingly less pixelated version of himself on
the chest as he completes each level of challenge in the labyrinth. (So at
least someone gets a character arc). I did admire James Urbaniak’s unblinkingly
focused mercenary TV director Harry, grinding out interviews and character
reactions whilst seemingly oblivious to the surrealist paper and card nightmare
enfolding around him.
Ultimately, DAVE MADE A MAZE is a film which can be enjoyed with a wry
appreciative smile. The odd laugh out loud moment pokes through the holes in
the script, and the level of artistry and detail in the construction of the sets
could offer repeat viewings a degree of reward making this cardboard fantasy
worth recycling.
***(OUT OF 5*)
Paul Worts
This review was first published by Frightfest.
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