Directed by: Rob Grant. Starring: Munro Chambers, Emily Tyra, Christopher
Gray. Horror, Canada 2019, 82mins, Cert 18.
“If he dies, is he edible?”
Director Rob Grant steers his dark-humoured nautical indie reworking of
Polanski’s KNIFE IN THE WATER (1962) through some claustrophobic choppy (and
bloody) waters.
Rich short-tempered brat Richard (Christopher Gray), convinced by a text
exchange that his slacker best friend Jonah (Munro Chambers) has slept with his
girlfriend Sasha (Emily Tyra), bursts into the film, and Jonah’s apartment, and
proceeds to pulverise Jonah into a bloodied pulp. Luckily for Jonah, referee
Sasha arrives in the nick of time to call a halt to the proceedings. Explaining
the texts were really about buying Richard’s surprise birthday present (a
spear-gun, the subject of a running gag where it’s constantly referred to as a
harpoon), Richard tries to make amends by taking his friends out on his yacht
for a day-trip on the open seas.
But this is an ill-fated love triangle which couldn’t be any more
ill-fated if they’d sailed straight into the Bermuda Triangle. An omnipresent
narrator (Brett Gelman, ‘Stranger Things’, ‘Fleabag’) drily fills us in on the
morally questionable back-stories of our three protagonists. The camera peers
down from on high in judgement before focusing in on a makeshift ‘SOS’ sign and
a blood trail on the deck of ‘The Naughty Buoy’.
Given its UK premiere at this year’s Arrow FrightFest, this crowd
pleasing three-(deck)-hander wrings every salty drop of tension from its modest
premise. Although neither Richard, Jonah nor Sasha are remotely likeable, it’s
a testament to the cast and filmmakers that their respective fates still manage
to maintain our morbid curiosity.
Kudos to director Grant and co-scripter Mike Kovac on their gag reflexing
riff on survival strategies to stave off dehydration, and the constantly
shifting character arcs which refresh the narrative whenever the story threatens
to run-aground.
HARPOON (“It’s a spear gun!”) briskly and efficiently navigates its way
through its seafaring tall tale of dysfunctional friendships turned septic
with a commendable degree of aplomb. It may not land huge breaking waves on the
genre’s shores but it certainly generates entertaining ripples on the surface.
Paul Worts
***(OUT OF 5*)
This review was first published by FrightFest.
No comments:
Post a Comment