Monday, 23 July 2012

Caroline Munro interview by Paul Worts

She was the face and body of Lambs Navy Rum. Bitten by Dracula, she then joined forces with a vampire hunter named Kronos; helped Sinbad on his Golden Voyage and tried to kill James Bond in a helicopter. And that’s only a fraction of her story. In an exclusive interview ahead of an event at The Misty Moon Gallery, Paul Worts reminisced with the wonderfully iconic Caroline Munro about her career which saw her work with the ‘holy trinity of horror stars’ and the greatest actor ever to have portrayed 007 on screen...

Before the modelling career and the acting, you were studying art...?
I was 16 and still at school. I was in Rottingdean, a very small village outside of Brighton. I went to life-study classes on a Saturday at Brighton Art College (a terrific art college) with a view to pursuing it in some way. I don’t know how I was going to earn my living but that’s what I thought I was going to do.

Well we’re all secretly hoping that when you come to The Misty Moon Gallery on Saturday it’s going to re-ignite your love of art and you’re going to take up art and painting once more...
That’s nice I like that!

Saturday, 21 July 2012


Fake merchandise - real blooger
“Smile you son of a bitch!”

(This review contains spoilers - and a shark)

Recently restored and screened in cinemas, and sadly followed soon after by the death of one of its co-producers Richard Zanuck, I thought it was about time I revisited those sandy white beaches of Amity with their hastily produced ‘No swimming…’ signs dotted around…

Jaws was the first video cassette I owned. I played the tape so often I wore it out. I was only 7 years old when the film first hit cinemas in the UK. My father – despite my numerous entreaties – declined to take me to see it. I sometimes wonder whether this was for my protection or his… But, with the advent of home video, I soon found myself dipping my toes in the crystal blue waters of Amity and becoming acquainted with the titular Carcharodon carcharias (great white shark) known affectionately to its film crew as ‘Bruce’.

The trials and tribulations of filming Peter Benchley’s source novel are now well documented. The fact that the saltwater caused the mechanical model sharks to malfunction and even on occasion sink forced the young Spielberg to become more creative and suggestive when depicting the shark – and the film is all the more powerful for it. Helped immeasurably by John Williams’ shark motif, surely the most instantly recognisable and effective piece of film music ever committed to celluloid; a crisp screenplay bristling with eminently memorable lines; and a trinity of actors at the peak of their game; it is rightly regarded as one of the classic films of all time.

So ‘Bruce’ is a tad unconvincing when he belly-flops right out of the water onto the Orca and chows down on Robert Shaw’s salty sea-dog Quint. It matters not a jot. Deep Blue Sea in 1999, Shark Night 3D in 2011 and practically every other movie on the Syfy channel have given us CG sharks which, in theory, given the technological advancements since 1975, should have blown Jaws out of the water. The fact that they haven’t is a testament to good old-fashioned characterisation and storytelling – two things Jaws has in abundance.

Unfortunately, both the film and the original source novel by Peter Benchley did (however unintentionally) contribute immeasurably towards the demonization of the great white shark – a much maligned and misunderstood fish. But in popular entertainment sometimes you can’t make an omelette without cracking a few eggs – ask any piranha.