Dummies
and ventriloquists have a history of terrible and terrifying collaborations: Michael
Redgrave (DEAD OF NIGHT); Anthony Hopkins (MAGIC); Keith Harris and Orville.
In
this lesser-known Canadian example of the dodgy dummy sub-genre, Terry (THE
STEPFATHER) O’Quinn is a ventriloquist paediatrician who employs an anatomically
accurate medical dummy - resplendent with muscles and organs - to explain the
wonders of the human body to his little patients. Nicknamed Pin (after
Pinocchio), the dummy exerts a fascination and an increasingly unhealthy hold
over Dr. Linden’s son, Leon. His sister Ursula, although younger, is under no
illusions that Pin only talks when her father is in the room – but Leon has no
other friends and uses Pin as his confidant. Back at the old Linden homestead,
whilst their doctor father is testing them with maths questions before bedtime,
mum is following after them with a Hoover and covering all the chairs with
plastic sheets. It’s not a healthy environment. Then again, back at the medical
centre, one of Dr. Linden’s nurses is utilising Pin’s anatomical accuracy for
self gratification (presumably Pin’s ‘stiffness’ isn’t confined to his overall
build). Meanwhile, prepubescent Leon and Ursula are perusing a porn magazine
and speculating on “the need”. Ursula informs her brother that she: “Can’t wait
till I’m old enough. I think I’m REALLY gonna like it”. Sure enough, at 15, Ursula
(Cynthia Preston) has developed just such a reputation judging by the graffiti
on Leon’s High-school locker. She is then caught by Leon in a parked car at the
school prom indulging “the need” with a fellow student. Leon (David Hewlett)
unceremoniously pulls the unfortunate chap from the car and proceeds to kick
him in the “need” area.
Then
their parents are killed in a car crash and brother Leon decides that ‘Pin’ should
come and live with them: and to give Pin a make-over and one of father’s old suits...
This
is a film that had always been on the periphery of my vision and yet somehow
I’d never previously got around to watching it. It’s a modestly effective
psychological thriller which manages to generate some skin-crawling suggestive
inappropriateness. Terry O’Quinn reprises his creepy STEPFATHER (1987)
performance as ventriloquist Dr. Linden, culminating in a supremely disturbing
scene where he casually invites his son to watch as he performs an abortion on
his daughter Ursula. Both Cynthia Preston and David Hewlett give convincing
portraits in challenging roles as the grown-up siblings Ursula and David. Director
Sandor Stern (who wrote the screenplay for the 1979 AMITYVILLE HORROR) adapted
the story from a novel by Andrew (THE DEVIL’S ADVOCATE) Neiderman. As is so
often the case with screen adaptations, events unfurl at a rapid-fire pace in
order to tell the story (particularly the character-forming early years of
Ursula and David), but once these vignettes (essential to the plot) are dealt
with, the narrative settles down and Stern displays a steady hand with the
potentially risible source material. PIN is an unsettling, measured piece (nothing
like the misleading shock-fest the trailer promises), but one which provides
some memorable images, decent acting and a haunting final image which lingers
well past the end-credits. *** (out of 5*)
Paul Worts
This review was originally published on the FrightFest website.
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