The
hills are alive - with the sound of mutated Ibex...
At a
climate research base located 3500 meters up in the Alps, a group of scientists
monitoring glacial erosion stumble upon a blood-red slab of melting glacial
ice. The ‘blood glacier’ water contains micro-organisms which when drunk by the
local wildlife, incubates within the hosts DNA and combines with whatever else
the critter has digested to form random hybrids. This discovery couldn’t have
come at a worse time for the 3 scientists, the grouchy technician Janek and his
hound-dog Tinnitus. A high-ranking government minister and her entourage
(including Janek’s ex, Tanja) are scheduled to visit the facility and having been
helicoptered in as near as possible are currently on route across the mountain
terrain...
Originally
shown at the FrightFest Halloween all-nighter, Austrian director Marvin Kren’s follow
up to his well-received hour-long 2010 zombie essay RAMMBOCK is an enjoyable
mutant creature-feature. Its own DNA appears to have been created from
combining John Carpenter’s THE THING (1982) with environmentally conscious
nature nightmares such as John Frankenheimer’s PROPHECY (1979).
The
creature effects are (refreshingly) largely practical and infinitely preferable
to low-budget CGI. These hybrid creations are intriguing but clearly of basic
puppeteering origin and director Kren wisely plays coy with the audience by
only giving partial glimpses and quick cuts of the monstrous mutations. As for
the cast, Gerhard Liebmann’s grumpy technician Janek and his ex-girlfriend
Tanja (Edita Malovcic) have the only genuine story arc (which culminates in an
audaciously bizarre, yet strangely logical dénouement). If there was an Academy
Award category for best animal performance, then Janek’s mournful Pointer pooch
Tinnitus (real-name: Santos), would surely be a cast-iron certainty for a
statuette. But stealing the show right from under Santos’s wet-nose is Minister
Bodicek, played by the director’s mother Brigitte Kren. When the mutant sh*t
really begins to hit the fan, she rolls up her sleeves and takes extreme
crowd-pleasing measures to combat the mutating menace; and finding time in
amongst the frenetic gory mayhem to deliver arguably the most memorably obscure
line in cinema to date: “Stop eating that banana while you’re crying!”
Combining
a largely 80’s approach to effects with a contemporary ecological inspiration,
BLOOD GLACIER is one cool creative hybrid creature. **** (out of 5*)
Paul Worts
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