Directed
by Nobuhiko Obayashi, Starring: Kimiko Ikegami, Miki Jinbo, Kumiko Ohba.
Horror, Japan, 1977, 88mins, Cert 15.
Nobuhiko
Obayashi’s HOUSE is a phantasmagorical ghost train ride through a haunted
mansion bursting with psychedelic surrealism.
On
paper the wafer-thin plot reads as a standard genre set-up. A group of teenage
school girls take a trip into the countryside to spend their summer holiday at
an isolated mansion belonging to their friend Angela’s aunt. This grey-haired
aunt – who Angela hasn’t seen for some years - is wheel-chair bound and
seemingly lives alone in the old cobwebbed house...
This
is a film brimming with every conceivable visual technique (or at least every
one available to a Japanese filmmaker back in 1977). It’s maddeningly uneven
pace reveals the director’s commercial advertising background, but just like a
good ghost train ride in the fairground, every corridor you turn down reveals
something startlingly inventive.
On the
train which conveys the girls out of the city (presumably Tokyo), a fellow
passenger is briefly glimpsed reading a copy of Denis Gifford’s ‘A Pictorial
History of Horror Movies’, and it’s not much of a leap to conclude that
director Obayashi’s agenda for the film is to present a live-action tongue in
cheek flip through some of that book’s pages.
The
white Persian cat with the flashing eyes appears to be the catalyst for a large
portion of the spooky and sometimes gory mayhem on display, and this monstrous moggie
would surely have proved to be a more worthy adversary to James Bond than even
Blofeld himself!
With
its manically animated furniture and erupting geysers of blood, it pre-dates Sam
Raimi’s EVIL DEAD 2 by 10 years. Mind you, even Raimi never conceived of transforming
a schoolteacher into a bunch of bananas (sadly off-screen).
HOUSE
is a visually stunning, at times beautiful cinematic piece of artifice, gorgeous
matte backdrops and an animated train jostle for screen time with the frenetic jagged
lunacy of a schoolgirl eating piano, a floating severed head with a taste for
posteriors and a dancing skeleton (who went on to sell Scotch video tapes in
the 80’s).
Recommended.
****
(out of 5*)
Paul
Worts
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