Directed
by: Gordon Chan, Starring: Vincent Zhao, Sammo Hung, Yasuaki Kurata. Action/History,
2017, 128mins, Cert 15.
In 16th century China, ruthless Japanese
pirates (samurai and rogue rōnin
in an uneasy alliance) invade the east coast, looting, pillaging and generally
being far naughtier than Captain Jack Sparrow ever was. Having built themselves
a seemingly impenetrable fortress (think Irontown from Studio Ghibli’s PRINCESS
MONONOKE), stubborn old Chinese General Yu (Sammo Hung) still persists in
marching his troops up the muddied slopes only to be repeatedly repelled by
their better-armed Japanese pirate foe. The powers that be are understandably
none too impressed with General Yu’s ‘Grand Old Duke of York’ approach and
replace him with the younger, smarter strategist and niftier all-round solider
General Qi (Vincent Zhao).
Whilst it’s undeniably impressively mounted, the rather
simplistic narrative spends far too much time examining the minutiae of Chinese
political shenanigans and military strategy, and even (criminally) cuts one major
battle scene off in its prime.
Vincent Zhao’s fresh-faced General Qi livens
proceedings up with his Rambo-like solution for penetrating the pirate’s
fortified encampment and he’s also pretty nifty with those long bendy poles. Lady
QI (Regina Wan), is supportive and loving one moment, but unreasonably stroppy
when Qi is late home and the food’s gone cold. Yet she proves to be an
accomplished and ruthless warrior herself when called upon to defend her
kingdom (which isn’t even hinted at previously).
There are several incidental pleasures such as the
sight of General Qi’s Ming army skimming across mudflats on wooden scooters
which resemble large Dutch clogs, or the rogue Japanese pirates signalling
their murderous intent by fanning themselves with light reflecting fans.
The final pirate ship showdown between the younger
General Qi and Yasuaki Kurata’s elder pirate Commander Kumasawa is a splendid
bloody and fiery climax (albeit one which really didn’t need the entire preceding
2 hours build-up).
Its lavish production design, sets and costumes are consistently
eye-catching, and the battle scenes are visceral and not obviously CG enhanced.
And whilst it didn’t quite blow me away like one of General Qi’s deadly three-eyed
hand canyons, I’d take this grand scale 16th century pirate
enactment over those Disney Caribbean ones any day.
***(out of 5*)
Paul Worts
This review was originally published on the FrighFest website.
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